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If you were tuned into Saturday Night Live this weekend, you got to witness the hilarity (or cringeworthiness) of Kanye West and Lil Pump’s joint performance of “I Love It.” Dressed up as water bottles, the two jumped around the stage and performed the most bizarre version of their track. Pump’s weaknesses were evident without a backing track to help him out and Kanye appeared to be having the time of his life, pulling out some fresh dance moves. Deluxe ski jump 3 download free.

Of course, they had to self-censor their performance (which Pump failed miserably at,) leading Ye to mumble a few of his lines. Normally we wouldn’t post a clean version of an already-released song but considering Yeezy’s lyrics changed considerably, we figured it would be worth it to let you guys know that the “Freaky Girl” edit is available on streaming. The Chicago superstar and Florida up-and-comer teamed up on the original, which was controversial enough, and now they’re back with an edited version to please the PG masses. No longer is the woman they’re discussing a “f*cking h*e” as she’s been upgraded to a “Freaky Girl.” Ye has cleaned up his bars a bit so that his younger listeners can listen without asking their parents. Inherently, the track is still raunchy in nature but at least Kanye likes a “quick jump” now instead of a “quick f*ck.” Quotable Lyrics: I’m a sick pup, I like a quick jump I’ll light your wrist up, I’ll buy you a sick truck I’ll buy you some new gifts, I’ll get you that nip-tuck How you start a family? The condom slipped up I’m a sick puppy, I’m inappropriate I like hearin’ stories, I like the whole script Like where your clothes went before you post it?

Send me some mo’ pics, you look nice for four kids.

While rap music famously thrives on the kind of drama surrounding this week's 50 vs. Kanye record-sales standoff, even this showdown's closest followers would probably admit there's something faintly procedural about it. Maybe it's because album sales don't really work as a precise measure of absolute popularity anymore.

Maybe it's because 50's a shadow of his former self and no longer considered among the best, biggest, or most anything. Or maybe it's because Universal labelmates 50 and West seem more like they're doing this for us than for themselves. This is a prize fight between two heavyweight boxers moving in polar-opposite directions; the former weakly flailing through a creative crisis and a serious absence of hunger, the latter trying to transcend America by setting his sights on nothing less than the entire world. For all the pageantry, the most substantial takeaway from Kanye's new album is the realization that he might actually deserve the legendary status he constantly ascribes to himself.

Though it doesn't quite match College Dropout or Late Registration in pleasure-center overload, West's third album in four years is both his most consistent and most enterprising yet. It also caps off an incredible (maybe even unprecedented) run: In terms of consistency, prolificness, and general all-around ability, it's hard to find anyone in mainstream rap who can touch what he's achieved within the same timeframe. Where College Dropout and Late Registration mostly functioned as contagious nostaglia trips, Graduation finds him settling into the pocket; instead of looking inside for answers, he's looking out to the world. When he raps 'I shop so much I can speak Italian' on 'Champion', it's obvious he's holding up worldliness as a point of pride. His production choices reinforce that belief: Here, Kanye splices his well-articulated production style with a brand new set of influences-- most of them European. What he ends up with is a record that splits the difference between two distinctive styles: his familiar strings and brass, helium vocal samples, and warm soul samples on one side; corroded rave stabs, vinegary synth patches, and weirdly modulated electronic noises on the other. (Ironically, the latter all have roots in West's hometown of Chicago.) While Graduation is far from the electro-house record some fans predicted when the Daft Punk-sampling 'Stronger' first leaked, Kanye's interest in French house and rave extend beyond that one track.