There are over 1000 key commands for Logic Pro X, both pre-assigned and unassigned. It’s completely possible to use strictly the mouse/trackpad with Logic, but key commands help you to realize your musical vision much faster. In this article I’ll be narrowing the focus on production in Logic, and show 10 of my favorite commands for this. Even if you’re more interested in recording, arranging, mixing, or editing most of these commands will cross over to those areas too, so read on. #1 - Capture a MIDI Recording After it’s Played (Shift-R) When playing a virtual instrument along with your track, you might end up doing something great that you wish you’d have recorded.

Logic Pro X: Touch Bar shortcuts. If your Mac has a Touch Bar, you can use gestures to quickly perform many useful tasks. To adjust the octave range of the Touch Bar keyboard, tap one of the Keyboard Octave buttons to the left of the Touch Bar keyboard. To limit notes to a musical scale: Tap the Scale button, then tap to select the root.

Many producers get nervous when they put Logic into record mode. In either case, there’s no need to worry. Use key command Shift-R to capture what you play after you play it.

While in playback, this great command will grab anything you’ve played on your MIDI controller. Simply stop playback as soon as you’ve played the part, then use this command to capture what you’ve done.

To Move Region to the Playhead Position #5 - Easily Cycle/Loop a Specific Area (Command-U) So you’re working on an area of your track and you need to loop a specific bar range for playback. You can use the mouse to swipe up and across the top ruler, but if there’s plenty of regions in the workspace, it can be difficult to “eye” the area you’re attempting to loop. First select the regions you intend to loop around, then use Command-U. This command comes in handy very often while producing, editing, or recording. Using Command-U after selecting regions will set the cycle area to the exact width of the selected regions. Keep in mind Cycle Mode must be enabled for this ( C). Set Locators by Regions/Events/Marquee with Command-U #6 - Move Through Settings/Presets ([ and ]) Do you find yourself repeatedly clicking onto Logic’s settings menus when searching for a sound?

What about clicking onto the next setting in the Library? Use the left and right brackets [ and ] to move between synth sounds, effect, EXS24 settings, and Library patches. Every built-in Logic instrument and effect works with these commands, and many third-party developers are kind enough to include their patches in the standard Logic settings format. On the other hand, many instruments with built-in preset management will not be available from the standard Logic settings. Learn new Controller Assignment with Command-L #8 - Record Live Parameter Movements (Control-Command-A) It forms the shape of an A on the Mac’s keyboard.

This is one of my favorite Logic command. This is actually a toggle command. It toggles between reading automation that has already been recorded and recording automation. Ever tweak a knob on a synth or effect and wish you could just grab what you were doing right there and then?

Use Control-Command-A and you literally never have to stop while Logic is playing whatever synth, effect parameter, or mixing levels you adjust, get recorded on the spot as automation. Toggle to return this parameter to the read value by pressing the command again.

Repeat Section Between Locators with Control-Command-R #10 - Convert Loops to real copies (Control-L) This is great for editing a specific loop. When working with looped regions, remember that if you edit the original, all the copies are edited too. What if you want to edit a single region from those loops? Using Control-L turns any selected looped regions into independent editable copies. After using this command you can easily edit the notes in a specific MIDI region or chop an audio region without effecting the others. Keep in mind that copied audio regions are still linked back to the original audio file, so if you make a destructive edit (like in the sample editor) all the others will change too. That leads me to the final command wait, that’s 11 right?

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Yeah, I couldn’t help it! Convert Loops to Regions with Control-L #11 - Convert Audio Regions to Independent Copies (Option-Command - F) Destructive edits to audio files are done in the Sample Editor. Reversing, changing the pitch of a specific area, fading in and out, and more are a few reasons to destructively edit an audio file. When you do this, and you don’t use Option-Command-F, the original file and all its loops are changed. If you do use this command on a region, a window will appear asking you to save it as a new copy.